Articles

Monographs

A discography told properly is not a list of releases with the year beside it. It is a run of decisions made by somebody, usually under pressure and almost always with less money than the job needed. Here we take an artist or a band and follow them record by record, watching what shifts in the sound and where the shift came from: a new instrument, a physical constraint, a producer walking in, the budget running out. We do not hide the technical part, because it is usually the whole point. A tuning dropped a semitone. A tape run backwards. A rule the band set itself and kept for as long as it held. There are no scores here and no rankings of albums. What we try to say is where an arc starts, where it breaks, and what it left to the people who came next.

The section in short

Two formats live here. The monograph follows a path through turning points, usually marked out by the records, and picks the tracks that prove something rather than listing tracklists. The narrative piece comes in through an episode, an evening, a working life, and widens out from there.

The subject is always somebody rather than something. If a scene or a label is at the centre, the piece belongs in Genres, and if it is a single record, it belongs in Songs and albums. Where an artist has an official home you will find it in a block of its own, because saying where someone can be found is not the same as supporting a fact.

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